The cottage had been built by my great grandfather
who sat alone, in the shade, dressed in work boots
and overalls; I knew he was surrounded by
people I could not see: a mother who wore black
and arrived everywhere early, a brother who died of
a fever, a father who plowed the memory of fields.
When my great grandmother asked me
about my boyfriends she was remembering
her own suitors, who appeared to her in a parlor,
beside a fireplace, each of them hoping for a wife
who could behead chickens. When she
cut the shape of a dress directly from fabric, without
a pattern, I knew she was listening to the instructions
of the dead. Time had erased
my grandmother's brothers whose photos hung
in the bedroom where I slept: young
and happy, dressed in uniforms, gathered
around a radio I could not hear. I knew time was
why my father had no father, why the cat he loved
all through childhood had become
a scar on his hand, a story about a day he tried
to save it from a fight. I knew the faces of the ancestors
which hung in eerie oval frames had vanished into
a sepia silence. My grandfather was about
to go water skiing and my mother, still thin, was locked
in a bathroom where she teased her hair. I was turning
thirteen and the river ran behind me, and the cake
was lit; I leaned forward, into the singing.
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About Faith Shearin
Faith Shearin's books of poetry include: The
Owl Question (May
Swenson Award), Telling
the Bees (SFA
University Press), Orpheus,
Turning (Dogfish
Poetry Prize). Her short stories have appeared in The
Missouri Review, Frigg,
Atticus Review, Bellevue
Literary Review, Sixfold,
and Meridian.
Shearin's work has been read aloud on The
Writer's Almanac and included in American
Life in Poetry. She has received awards from the NEA, the Barbara
Deming Memorial Fund, and The Fine
Arts Work Center in Provincetown.
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