When the trumpet bellows
a platoon of fountain pens leap out of bed
lace up their high top boots and stand at attention.
Here and there down the line I see
acetylene black ink spouting from a few heads.
They move as a unit and
cherry colored fish fill the prints
their boots make in the quick dirt.
"Too bad they can't rest awhile," I think
after observing their maneuvers
for at least six suitcases.
They march to the edge of a cliff .
Someone shrieks "Halt!"
Which they do.
All listen to the azzuro della magna that slides
up the rocks into their ears. It's easy to see
they are transfixed, sheep staring into the eyes
of the golden coyote. A flock of violins pass overhead
casting a bladder green shadow over the scene.
I, too, am skewered and can't turn away
even when a pair of hunting tubas appear,
make exploratory dives at the outer ranks of pens
then snatch a few and toss them down their bells
as they regain altitude. The tubas burp.
"How rude," I think "they didn't even cover their valves."
The fountain pen's response is to produce picnic hampers
and checked napkins: bismuth white and arsenic orange.
They tuck these around their necks, unzip
the forks of their Swiss Army knives and dig
into fried chicken and deviled egg whites. This
is certainly the rest they needed. When the marauding
tubas reappear, they are barraged with flecks of ink,
caput mortuum this time, which makes them cry.
They retreat to a far corner where moans and
buffle-headed sniffs are heard. One pen
tosses a napkin at the tubas.
They pick it up, wipe their tears
and grumble away. Burping.
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About Katharine VanDewark
Katharine VanDewark graduated from the University of California, Santa Barbara with a BFA in painting. She has been a fine art photographer and dancer, and has been writing poetry for 25 years. Her work has appeared in Amarillo Bay, Dos Passos Review, Wild Violet, Quiddity, Dos Passos Review, Sanskrit and Coracle.