I ask my husband, ever the literalist,
if he missed me before he knew me,
and he says, "It's not possible,"
so I say, "You know, in a poetic kind of way."
"Still not possible," he maintains.
"Like, the love was always there, but waiting."
"Waiting?" he asks.
"In a prequel kind of way," I say.
"You mean like
Star Wars Phantom Menace?"
I think of invasions and trade routes,
barren landscape of impossible dunes
and treaties, what it took to get here,
galactic unrest, yes, but deeper,
like a scorched tongue
in the driest desert mouth
of pre-history abstracted beyond speech,
and you were my mirage
I want to tell him, over every next hill,
past the idiot men
who marched like droid armies
then dissolved into grains of sand,
ten thousand faceless others
in the epic space opera
that would precede us.
But you were hardened starlight,
desert bloom, something sustainable
and airlifted to safety
or buried like the roots of a knotted tree—
marker, memento,
trail I left for my future self
to find you.
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About Teresa Leo
Teresa Leo is the author of a book of poems, The Halo Rule (Elixir Press, 2008), winner of the Elixir Press Editors’ Prize. She is the 2012 winner of the Richard Peterson Poetry Prize from Crab Orchard Review, and her work has appeared in The American Poetry Review, Poetry, Ploughshares, Women’s Review of Books, New Orleans Review, Barrow Street, The Florida Review, Painted Bride Quarterly, 5 AM, Poetry Daily, Verse Daily, Mooring Against the Tide: Writing Fiction and Poetry (Prentice Hall, 2005), the anthology Whatever It Takes: Women on Women’s Sport (Farrar, Straus and Giroux, 1999), and elsewhere. She has been a resident at the Virginia Center for the Creative Arts, the Blue Mountain Center, and the Vermont Studio Center, and has received fellowships from the Pew Fellowships in the Arts, the Leeway Foundation, and the Pennsylvania Council on the Arts. She works at the University of Pennsylvania.
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