True, I have twice faxed my resume,
dear Ms. Weber. I did not have the dates
precisely right. I hope this tiny error
will not matter, for I do understand the importance of detail.
I know the exact angle of a sweet pea's juncture
on the vine. I know the delicate tiptoe of a nuthutch
as she treads headfirst down the maple bough.
I know the elongated triangle of a resting heron's leg,
and the wide broad arc of the great snowy owl
as he grabs his prey. I know that perfect moment
every autumn when the sumac's flame burns
against the northern sky, and I know the size
of every seed, the inkjet dot of Busy Lizzie,
the pearly bead of marvel of Peru,
and the eloquent exclamation point of the iris pod.
I know the music of the blue jay's bicker at five in the morning,
and the rustle of the towhee in the brown leaves below the window
in the afternoon. And, do you know, Ms. Weber,
the difference between hyssop and hibiscus, coreopsis
and cosmos, calliopsis and calendula, amaryllis and anemone?
I can calculate the flutter of a bee from borage to clary sage
and borage back again. I know the utter mathematical perfection
in the marriage of bud and thorn and trellis and climbing rose.
It is quite true, Ms. Weber, that I might file
one boring piece of paper carelessly beside the next,
and have to search around a bit, or that my cubicle
might seem dusty and a mess, but, oh, Ms. Weber,
I do care about details.
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About Marcella Spruce
Marcella Spruce's poetry has appeared in Compass Rose and The Anthology of New England Writers 1999. She has published articles and essays in such publications as the Maine Times, The New York Times, Teacher, Education Week and the Portsmouth Herald. An essay, "An Elegy on Making Mincemeat," recently appeared in an anthology, Reflections On Maine.